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Midnight at Cultural Center

Midnight

120 mins | Rated TBC


SCREWBALL SUNDAYS
April 5 - June 21

Fast talk. Social chaos. Romance at full velocity.
Screwball comedies don’t just flirt with disorder—they weaponize it.

Join us Sunday afternoons for six deliriously entertaining classics—each a reminder that love is often loud, illogical, and very funny.

MAY 3 | Midnight (1939)
Directed by Mitchell Leisen

Starring Claudette Colbert, Don Ameche

A penniless American showgirl bluffs her way into Parisian high society, setting off a cascade of mistaken identities, romantic entanglements, and verbal gymnastics. Colbert is luminous and sly, navigating aristocrats and opportunists alike with wit and nerve. Midnight is screwball elegance at its most deliciously deceptive.

Intro: Nate Wyckoff
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SCREWBALL SUNDAYS
April 5 - June 21

Fast talk. Social chaos. Romance at full velocity.
Screwball comedies don’t just flirt with disorder—they weaponize it.

Join us Sunday afternoons for six deliriously entertaining classics—each a reminder that love is often loud, illogical, and very funny.

MAY 3 | Midnight (1939)
Directed by Mitchell Leisen

Starring Claudette Colbert, Don Ameche

A penniless American showgirl bluffs her way into Parisian high society, setting off a cascade of mistaken identities, romantic entanglements, and verbal gymnastics. Colbert is luminous and sly, navigating aristocrats and opportunists alike with wit and nerve. Midnight is screwball elegance at its most deliciously deceptive.

Intro: Nate Wyckoff
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Midnight

120 mins | Rated TBC | Classic


SCREWBALL SUNDAYS
April 5 - June 21

Fast talk. Social chaos. Romance at full velocity.
Screwball comedies don’t just flirt with disorder—they weaponize it.

Join us Sunday afternoons for six deliriously entertaining classics—each a reminder that love is often loud, illogical, and very funny.

MAY 3 | Midnight (1939)
Directed by Mitchell Leisen

Starring Claudette Colbert, Don Ameche

A penniless American showgirl bluffs her way into Parisian high society, setting off a cascade of mistaken identities, romantic entanglements, and verbal gymnastics. Colbert is luminous and sly, navigating aristocrats and opportunists alike with wit and nerve. Midnight is screwball elegance at its most deliciously deceptive.

Intro: Nate Wyckoff

Tweet Share
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